I first heard the name 'Pat Conroy' as a young graduate student at the University of Alabama. It was the late 80s, I was fresh out of Sewanee - a kind of English major's paradise - and deconstruction was suddenly all the rage in the rarified world of literary criticism. If you've never heard that word - deconstruction - consider yourself lucky. Just seeing it in print still makes me shudder, and to this day, I couldn't quite define it for you.
The other night I found myself racing from Lady’s Island across the Woods Memorial Bridge to Pigeon Point Landing, chasing a sunset. I had just dropped off my daughter at the Beaufort High football game, and was on my way home, when the sky over the river exploded in such inexpressible radiance that even now, I’m at a loss to describe it.
It’s that time of year when I always feel like a space alien surrounded by earthlings. Or a foreigner who just woke up in a country where she doesn’t speak the language. Or a Jane Austen character trapped in a Ray Bradbury novel. Or . . . well, you get the picture.
It’s far from perfect, its politics are not pristine, and it’s very much a product of its time and place. Harper Lee’s new (old) book Go Set A Watchman is a lot like her iconic character Atticus Finch. And I love them both anyway.